“The noblest art is that of making others happy.” – P.T. Barnum
Santa Clarita, Calif. – Six Flags Magic Mountain’s Holiday in the Park transformed the park into a magical winter wonderland with millions of twinkling lights, carolers, holiday entertainment, and your favorite thrilling rides. It’s the most magical time of the year at the Thrill Capital of the World as the park is open every day, including Christmas Day now through Dec. 30, 2018.
Los Angeles, Calif. – Nominees for the 25th Annual Screen Actors Guild Awards® for outstanding individual, cast and ensemble performances in film and television of 2018, as well as the nominees for outstanding action performances by film and television stunt ensembles were announced this morning at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA President Gabrielle Carteris introduced Awkwafina (Crazy Rich Asians, Ocean’s Eight) and Laverne Cox (Orange Is the New Black, the upcoming Bad Hair), who announced the nominees for this year’s Actors® live on TNT, TBS, truTV, tntdrama.com/sag-awards, truTV.com, sagawards.org, and on major social platforms.
Before that announcement, this year’s stunt ensemble action performance nominees were announced by SAG Awards Committee Chair JoBeth Williams and SAG Awards Committee Member Elizabeth McLaughlin during a live webcast on tntdrama.com/sag-awards and sagawards.org. A replay of both announcements is available for viewing on tntdrama.com/sag-awards. The complete list of 25th Annual Screen Actors Guild Awards nominations follows this notice. About the 25th Annual Screen Actors Guild Awards® The 25th Annual Screen Actors Guild Awards, presented by SAG-AFTRA with Screen Actors Guild Awards, LLC, will be produced by Avalon Harbor Entertainment, Inc. and nationally simulcast live on TNT and TBS on Sunday, Jan. 27, 2019 at 8 p.m. (ET) / 5 p.m. (PT).
One of the awards season’s premier events, the SAG Awards annually celebrates the outstanding motion picture and television performances from the previous calendar year. Of the top industry honors presented to actors, only the SAG Awards are selected entirely by performers’ peers in SAG-AFTRA. The SAG Awards was the first televised awards show to acknowledge the work of union members and the first to present awards to motion picture casts and television ensembles.
Alan Alda has been named the 55th recipient of SAG-AFTRA’s highest tribute: the SAG Life Achievement Award for career achievement and humanitarian accomplishment.
Award-winning actor, writer, director, producer, polymath and advocate for science communication Alan Alda has been named the 55th recipient of SAG-AFTRA’s highest tribute: the SAG Life Achievement Award for career achievement and humanitarian accomplishment. Alda will be presented the performers union’s top accolade at the 25th Annual Screen Actors Guild Awards®
55TH LIFE ACHIEVEMENT RECIPIENT, 2018
Given annually to an actor who fosters the “finest ideals of the acting profession,” the SAG Life Achievement Award will join Alda’s exceptional catalog of pre-eminent industry and public honors. His career has earned him induction into the Television Hall of Fame, an Oscar® nomination, six Emmys® (plus an International Emmy® Special Founder’s Award and 29 additional Emmy® nominations), four SAG Award® nominations, six Golden Globes®, four DGA Awards (including the D. W. Griffith Award), the WGA’s Valentine Davis Award, three Tony Award® nominations and more. In fact, he is one of only six people to receive Oscar®, Tony® and Emmy® nominations in the same year. This abbreviated list doesn’t even mention his numerous honors from the scientific community, including most recently the National Academy of Sciences Public Welfare Medal.
Megan Mullally to Host the 25th Annual Screen Actors Guild Awards® on Sunday, Jan. 27 ———————————————- The SAG Awards® Silver Anniversary show will be simulcast live on TNT and TBS at 8 p.m. (ET) / 5 p.m. (PT)
LOS ANGELES (Dec. 12, 2018) – Multiple SAG Award and Emmy® winner Megan Mullally (Will & Grace, Why Him?) will light up the stage as host of the 25th Annual Screen Actors Guild Awards®on Sunday, Jan. 27, 2019, Executive Producer Kathy Connell announced today. The show will be simulcast live on TNT and TBS at 8 p.m. (ET) / 5 p.m. (PT).
“We are delighted to have the talented, warm and funny Megan Mullally to host the SAG Awards Silver Anniversary,” Connell said. “This is a very special year, and we are all looking forward to a memorable show.”
“As a frustrated casting director and full-on fangirl of great actors everywhere, I’m over the moon to be a part of the SAG Awards 25th Anniversary,” Mullally said.
Megan Mullally currently stars as “Karen Walker” on NBC’s Will & Grace, for which she so far has received four Screen Actors Guild Awards, two Emmys, and five Golden Globe nominations. The show returned after an 11-year hiatus for a 12-episode revival with the original cast and creative team in 2017 and has already been renewed for two more 18-episode seasons. Her extensive portfolio of projects also includes a recurring role as the evil “Tammy” on Parks and Recreation, the voice of “Aunt Gayle” on Fox’s animated Bob’s Burgers, and guest roles on 30Rock, Web Therapy, Happy Endings, Trophy Wife, Up All Night, and more.
On the big screen, Mullally most recently starred opposite Bryan Cranston in Why Him?, appeared in the critically acclaimed The Disaster Artist, and starred alongside her husband Nick Offerman in the Bob Byington-directed comedy Infinity Baby. Other film credits include: Alexander and the Terrible, Horrible, Good, Very Bad Day; Smashed; Kings of Summer; Ernest and Celestine; Somebody Up There Likes Me; and GBF.
Mullally also recently co-authored the New York Times and LA Times bestselling book, “The Greatest Love Story Ever Told,” with Nick Offerman.
“What is history? An echo of the past in the future; a reflex from the future on the past.” – Victor Hugo
Hollywood, Calif. – A timeless classic, set against the backdrop of 19th-century France, LES MISÉRABLES is coming to the Pantages Theatre in Hollywood, May 7 – June 2, 2019. Exclusive Pre-Sale tickets are available now through December 20, for the perfect holiday gift! LES MISÉRABLES tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. Featuring one of the greatest scores of all time, with thrilling and beloved songs including “I Dreamed A Dream,” “On My Own,” “Stars,” “Bring Him Home,” “One Day More,” “Do You Hear the People Sing?” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. Along with the Oscar-winning movie version, it has now been seen by more than 130 million people in 44 countries and in 22 languages around the globe. LES MISÉRABLES is still the world’s most popular musical, breaking box office records everywhere in its 33rd year.
With glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking production of LES MISÉRABLES, which broke box office records during its pre-Broadway tour, has left both audiences and critics awestruck, cheering “Les Miz is born again!” (NY1).
EXCLUSIVE PRESALE NOW THROUGH DECEMBER 20 @ 11:59PM
Santa Clarita, Calif. – Six Flags Magic Mountain lights up the season even brighter this year for Holiday in the Park select days November 17-December 30. See the park transform into a magical winter wonderland with millions of twinkling lights, carolers, holiday entertainment, and your favorite thrilling rides. It’s the most magical time of the year at the Thrill Capital of the World as the park is open every day, including Christmas Day.
Merry memories in this larger-than-life display of ornaments with programmable dancing light shows.Learn More
Meet Santa in his new home, along with crafts with Mrs. Claus and her merry elves. Located near Bugs Bunny World.Learn More
Festive Thrill Shakes
Sip on a holiday inspired Thrill Shake topped to perfection with yummy festive treats. Located in Holiday Square.Learn More
Embrace the holiday spirit!
From visiting with Santa to roasting marshmallows over an open fire, Holiday in the Park features unique holiday-themed decorations, festivities, and entertainment.
Merry LaneMerry memories in this larger-than-life display of ornaments with programmable dancing light shows.Learn More
Santa’s CottageTake a souvenir photo with Santa in Santa’s Cottage. Begins 12pm daily thru Dec. 24.Learn More
Winter WonderlandStep into a snowy winter wonderland with thousands of icy lights, snow sculptures and snowfall nightly.Learn More
Rockin’ UniverseDC UNIVERSE comes to life as Rockin’ Universe, featuring three dancing light shows set to holiday music.Learn More
Snowy NightsA contemporary celebration of the season with silvery trees, a spectacular visual, and a live show.Learn More
Gleampunk DistrictThe sights, sounds and aromas of the industrial revolution with a holiday twist.Learn More
Holiday SquareSix Flags Plaza transforms into a kaleidoscope of color featuring thousands of lights and snow fall nightly.Learn More
Universal City, Calif. – December 11, 2018 – As last minute shoppers begin searching for perfect Christmas presents, Universal Studios Hollywood is helping to take the guesswork out by assembling a list of some popular gift giving items and stocking stuffers from such fan favorites as The Grinch, Harry Potter, Minions, Jurassic Park and Hello Kitty and friends.
Here’s a short list of some fun, inspirational items.
For the naughty on the list, Illumination Entertainment and Universal Pictures’ Dr. Seuss’ The Grinch movie takes center stage with an assortment of fun must-haves, including green faux-fur adorned hats, gloves and scarves as well as pajamas.
Magic is always in the air during the holidays, making treasures and treats from “The Wizarding World of Harry Potter™” some of the best gifts. From bespoke Christmas ornaments inspired by the Wizarding World to Honeydukes one-of-a-kind sweets, there is something for every Harry Potter fan this season. Other spellbinding collectibles that are sure to top any witch or wizard’s wish list include decorative Hogwarts castle snow globes, the Hogwarts crest and mascot ornaments representing each of the houses, as well as a collection of unique tree toppers and house pennant garland.
This year, “The Wizarding World of Harry Potter” is also introducing specialty gift wrapping that is inspired by packages delivered by the Owl Post in the Harry Potter film series.
A visit to the shops adjacent to the “Despicable Me Minion Mayhem” ride and Super Silly Fun Land as well as the all-new Animation Studio Store offer a chockfull of Minions in an array of shapes and sizes as well Agnes’s all-time favorite, the fluffy Unicorn, available in a variety of huggable plush toys to wearable backpacks for back-to-school fun. For the more mischievous on the list, the iconic Zapper and Fart toys will make lasting memorable gifts.
The Animation Studio Store is also home to Hello Kitty with a variety of themed merchandise primed for holiday gift giving and stocking stuffers.
While the Jurassic era may have spanned time, millions of years ago, guests can keep the giant T. rex dinosaurs close at heart with popular Jurassic Park and Jurassic World t-shirts and hoodies, both in homage to the theme park’s iconic “Jurassic Park” thrill ride which closed earlier this year and in anticipation of its newest edition, the “Jurassic World” ride, opening in 2019.
For those on the list who have been extra good, an Annual Pass to Universal Studios Hollywood is the ultimate gift. For limitless fun all year long, along with a variety of discounts and perks to the theme park and CityWalk, a Platinum, Gold or Silver Annual Pass will make 2019 shine daily for friends and family.
Last minute shopping made easy at Universal Studios Hollywood is complemented by the theme park’s annual holiday programs, including nightly snowfall during “Christmas in The Wizarding World of Harry Potter,” plus the spectacular dazzling light projection transformation of HogwartsTM castle through “The Magic of Christmas at HogwartsTM Castle.” “Christmas in The Wizarding World of Harry Potter” takes place daily through January 6, 2019.
“Grinchmas™” at Universal Studios Hollywood features a Who-lebration of fun fit for The Grinch, his faithful dog Max and a roster of Who-ville Whos. The annual event comes to life with a towering 60- foot tall whimsical “Grinchmas” tree where Martha MayWho-vier and the Who Dolls take center stage performing energetic musical sets as they usher in the Christmas season in style, along with the Who-liday Singers—a hip boy-band ensemble—who perform a cappella concerts showcasing a mix of Christmas favorites and pop rock.
“Grinchmas” takes place daily from December 14 through December 30, 2018.
Spirited holiday décor and festive whimsy permeates throughout the theme park, including “Despicable Me Minion Mayhem” and the adjoining “Super Silly Fun Land” as a crew of very merry and mischievous Minions gleefully spread Christmas cheer to visitors of all ages.
About Warner Bros. Entertainment: Warner Bros. Entertainment is a global leader in all forms of entertainment and their related businesses across all current and emerging media and platforms. A Time Warner Company, the fully integrated, broad-based studio is home to one of the most successful collections of brands in the world and stands at the forefront of every aspect of the entertainment industry from feature film, television and home entertainment production and worldwide distribution to DVD, digital distribution, animation, comic books, video games, product, and brand licensing, international cinemas and broadcasting.
About Wizarding World: More than two decades ago, a young Harry Potter was whisked onto Platform 93⁄4 at King’s Cross Station, and readers everywhere were swept along with him into a magical universe, created by J.K. Rowling. In the years since, the seven Harry Potter bestsellers have inspired eight blockbuster movies, an award-winning stage play, and, more recently, the start of the Fantastic Beasts five-film series. People of all ages have been enthralled by these extraordinary adventures, set within an expanding universe, inspired by the vision of J.K. Rowling.
For today’s growing worldwide fan community, and for generations to come, the Wizarding World welcomes everyone to explore more of this magical universe — past, present and future. The Wizarding World also provides fans with an instant, trusted kite-mark of quality and authenticity.
About Dr. Seuss: Theodor “Seuss” Geisel is quite simply the most beloved children’s book author of all time. Winner of the Pulitzer Prize in 1984, three Academy Awards, two Emmy Awards, three Grammy Awards, and three Caldecott Honors, Geisel wrote and illustrated 45 books for children. Hundreds of millions of copies have found their way into homes and hearts around the world. While Theodor Geisel died on September 24, 1991, Dr. Seuss lives on, inspiring generations of children of all ages to explore the joys of reading. For more information about Dr. Seuss and his works, visit Seussville.com.
About Illumination Entertainment: Illumination, founded by Academy Award® nominee Chris Meledandri in 2007, is one of the entertainment industry’s leading producers of event-animated films. The company’s franchises include three of the top-eight animated films of all time, and its iconic, beloved brands—infused with memorable and distinct characters, global appeal and cultural relevance—have grossed more than $6 billion worldwide.
Illumination, which has an exclusive financing and distribution partnership with Universal Pictures, is the creator of the hugely successful world of Despicable Me, which includes Minions, the third-highest-grossing animated film of all time and the most profitable film in Universal’s history, as well as the Academy Award®– nominated Despicable Me 2 and Despicable Me 3, which made more than $1 billion at the global box office.
Illumination recently launched two original properties that captivated audiences worldwide: The Secret Life of Pets, which achieved the best opening for an original movie, animated or otherwise, in U.S. history, and the global smash, Sing. And in 2018, Illumination’sDr. Seuss’s The Grinch had the biggest opening weekend of any Christmas-themed movie in history. Illumination’s upcoming films include The Secret Life of Pets 2 in June 2019, Minions 2 in July 2020, and Sing 2 in December 2020.
Universal Studios Hollywood is The Entertainment Capital of L.A. and includes a full-day, movie-based theme park and Studio Tour. As a leading global entertainment destination, Universal Studios Hollywood delivers highly themed immersive lands that translate to real-life interpretations of iconic movie and television shows. Recent additions include “The Wizarding World of Harry Potter™” which features a bustling Hogsmeade village and such critically-acclaimed rides as “Harry Potter and the Forbidden Journey” and “Flight of the Hippogriff™”. Other immersive lands include “Despicable Me Minion Mayhem” and “Super Silly Fun Land” as well as “Springfield,” hometown of America’s favorite TV family, located adjacent to the award-winning “The Simpsons Ride™” and the “The Walking Dead” daytime attraction and the all-new DreamWorks Theatre featuring “Kung Fu Panda: The Emperor’s Quest.” The world-renowned Studio Tour is Universal Studios Hollywood’s signature attraction, inviting guests behind-the-scenes of the world’s biggest and busiest movie and television production studio where they can also experience such authentic thrill rides as “Fast & Furious—Supercharged.” The adjacent Universal CityWalk entertainment, shopping and dining complex also includes the all-new multi-million dollar, redesigned Universal CityWalk Cinema, featuring deluxe recliner seating in screening room quality theatres, and the “5 Towers” state-of-the-art outdoor concert stage.
Los Angeles, Calif. – Press release – The Hollywood Foreign Press Association (HFPA) announced today that legendary TV icon Carol Burnett will receive the first-ever Golden Globe television special achievement award, aptly named the Carol Burnett Award, honoring the highest level of achievement in the medium. A five-time Golden Globe winner and the most decorated of all time in the television category, Burnett will accept the honor at the awards ceremony that will air live coast to coast on Sunday, Jan. 6, 2019 from 5-8 p.m. PT/8-11 p.m. ET on NBC from The Beverly Hilton. Sandra Oh and Andy Samberg will host the 2019 ceremony.
Viewed by millions around the world, the Golden Globes is the premier ceremony to honor the very best in television and film. As the television landscape continues to evolve with more thought-provoking programming, diverse roles and best in class content, the HFPA has established the Carol Burnett Award to celebrate the medium’s new Golden Age. Equivalent to its film accolade counterpart, the Cecil B. DeMille Award, the Carol Burnett Award will be presented annually to an honoree who has made outstanding contributions to television on or off the screen. Future recipients will be chosen based on their body of work and the lasting impact that their television career achievements have had on both the industry and audiences.
“For more than 50 years, comedy trailblazer Carol Burnett has been breaking barriers while making us laugh,” said HFPA President Meher Tatna. “She was the first woman to host a variety sketch show,The Carol Burnett Show. She was also the first woman to win both the Mark Twain Prize for American Humor and Kennedy Center Honors. And now we add another first to her running list: the first recipient – and namesake – of the new Golden Globe top honor for achievement in television, the Carol Burnett Award. We are profoundly grateful for her contributions to the entertainment industry and honored to celebrate her legacy forever at the Golden Globes.”
Sandra Oh and Andy Samberg will Host the 76th Golden Globe AwardsD
And the 2019 Golden Globe Nominees for the year ending December 31, 2018 Are…..
Best Motion Picture – Drama “Black Panther” “BlacKkKlansman” “Bohemian Rhapsody” “If Beale Street Could Talk” “A Star Is Born”
Best Actor in a Motion Picture – Musical or Comedy Christian Bale (“Vice”) Lin-Manuel Miranda (“Mary Poppins Returns”) Viggo Mortensen (“Green Book”) Robert Redford (“The Old Man & the Gun”) John C. Reilly (“Stan & Ollie”)
Best Actress in a Supporting Role in any Motion Picture Amy Adams (“Vice”)Claire Foy (“First Man”)Regina King (“If Beale Street Could Talk”) Emma Stone (“The Favourite”) Rachel Weisz (“The Favourite”)
Best Actor in a Supporting Role in any Motion Picture Mahershala Ali (“Green Book”) Timothee Chalamet (“Beautiful Boy”) Adam Driver (“BlacKkKlansman”) Richard E. Grant (“Can You Ever Forgive Me?”) Sam Rockwell (“Vice”)
Best Motion Picture – Animated “Incredibles 2” “Isle of Dogs” “Mirai” “Ralph Breaks the Internet” “Spider-Man: Into the Spider-Verse”
Best Motion Picture – Foreign Language “Capernaum” “Girl” “Never Look Away” “Roma” “Shoplifters”
Best Director – Motion Picture Bradley Cooper (“A Star Is Born”) Alfonso Cuaron (“Roma”) Peter Farrelly (“Green Book”) Spike Lee (“BlacKkKlansman”) Adam McKay (“Vice”)
Best Screenplay – Motion Picture Alfonso Cuaron (“Roma”) Deborah Davis and Tony McNamara (“The Favourite”) Barry Jenkins (“If Beale Street Could Talk”) Adam McKay (“Vice”) Peter Farrelly, Nick Vallelonga, Brian Currie (“Green Book”)
Best Original Score – Motion Picture Marco Beltrami (“A Quiet Place”) Alexandre Desplat (“Isle of Dogs”) Ludwig Göransson (“Black Panther”) Justin Hurwitz (“First Man”) Marc Shaiman (“Mary Poppins Returns”)
Best Original Song – Motion Picture “All the Stars” (“Black Panther”) “Girl in the Movies” (“Dumplin’”) “Requiem For a Private War” (“A Private War”) “Revelation’ (“Boy Erased”) “Shallow” (“A Star Is Born”)
Best Television Series – Drama “The Americans” “Bodyguard” “Homecoming” “Killing Eve” “Pose”
Best Performance by an Actress in a Television Series – Drama Caitriona Balfe (“Outlander”) Elisabeth Moss (“The Handmaid’s Tale”) Sandra Oh (“Killing Eve”) Julia Roberts (“Homecoming”) Keri Russell (“The Americans”)
Best Performance by an Actor in a Television Series – Drama Jason Bateman (“Ozark”) Stephan James (“Homecoming”) Richard Madden (“Bodyguard”) Billy Porter (“Pose”) Matthew Rhys (“The Americans”)
Best Television Series – Musical or Comedy “Barry” (HBO) “The Good Place” (NBC) “Kidding” (Showtime) “The Kominsky Method” (Netflix) “The Marvelous Mrs. Maisel” (Amazon)
Best Performance by an Actress in a Television Series – Musical or Comedy Kristen Bell (“The Good Place”) Candice Bergen (“Murphy Brown”) Alison Brie (“Glow”) Rachel Brosnahan (“The Marvelous Mrs. Maisel”) Debra Messing (“Will & Grace”)
Best Performance by an Actor in a Television Series – Musical or Comedy Sacha Baron Cohen (“Who Is America?”) Jim Carrey (“Kidding”) Michael Douglas (“The Kominsky Method”) Donald Glover (“Atlanta”) Bill Hader (“Barry”)
Best Television Limited Series or Motion Picture Made for Television “The Alienist” (TNT) “The Assassination of Gianni Versace: American Crime Story” (FX) “Escape at Dannemora” (Showtime) “Sharp Objects” (HBO) “A Very English Scandal” (Amazon)
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television Amy Adams (“Sharp Objects”) Patricia Arquette (“Escape at Dannemora”) Connie Britton (“Dirty John”) Laura Dern (“The Tale”) Regina King (“Seven Seconds”)
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television Antonio Banderas (“Genius: Picasso”) Daniel Bruhl (“The Alienist”) Darren Criss (“The Assassination of Gianni Versace: American Crime Story”) Benedict Cumberbatch (“Patrick Melrose”) Hugh Grant (“A Very English Scandal”)
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television Alex Borstein (“The Marvelous Mrs. Maisel”) Patricia Clarkson (“Sharp Objects”) Penelope Cruz (“The Assassination of Gianni Versace: American Crime Story”) Thandie Newton (“Westworld”) Yvonne Strahovski (“The Handmaid’s Tale”)
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television Alan Arkin (“The Kominsky Method”) Kieran Culkin (“Succession”) Edgar Ramirez (“The Assassination of Gianni Versace: American Crime Story”) Ben Whishaw (“A Very English Scandal”) Henry Winkler (“Barry”)
Best Actress in a Motion Picture – Drama Glenn Close (“The Wife”) Lady Gaga (“A Star Is Born”) Nicole Kidman (“Destroyer”) Melissa McCarthy (“Can You Ever Forgive Me?”) Rosamund Pike (“A Private War”)
Best Actor in a Motion Picture – Drama Bradley Cooper (“A Star Is Born”) Willem Dafoe (“At Eternity’s Gate”) Lucas Hedges (“Boy Erased”) Rami Malek (“Bohemian Rhapsody”) John David Washington (“BlacKkKlansman”)
Best Motion Picture – Musical or Comedy “Crazy Rich Asians” “The Favourite” “Green Book” “Mary Poppins Returns” “Vice”
Best Actress in a Motion Picture – Musical or Comedy Emily Blunt (“Mary Poppins Returns”) Olivia Colman (“The Favourite”) Elsie Fisher (“Eighth Grade”) Charlize Theron (“Tully”) Constance Wu (“Crazy Rich Asians”)
1. Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.
I LIKE IT Cardi B, Bad Bunny & J Balvin Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer
THE JOKE Brandi Carlile Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer
THIS IS AMERICA Childish Gambino Donald Glover & Ludwig Goransson, producers; Derek “MixedByAli” Ali & Riley Mackin, engineers/mixers; Mike Bozzi, mastering engineer
GOD’S PLAN Drake Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel “Gadget” Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer
SHALLOW Lady Gaga & Bradley Cooper Lady Gaga & Benjamin Rice, producers; Tom Elmhirst, engineer/mixer; Randy Merrill, mastering engineer
ALL THE STARS Kendrick Lamar & SZA Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer
ROCKSTAR Post Malone Featuring 21 Savage Louis Bell & Tank God, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer
THE MIDDLE Zedd, Maren Morris & Grey Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom Morris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer
2. Album Of The Year Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.
INVASION OF PRIVACY Cardi B Leslie Brathwaite & Evan LaRay, engineers/mixers; Belcalis Almanzar & Jorden Thorpe, songwriters; Colin Leonard, mastering engineer
BY THE WAY, I FORGIVE YOU Brandi Carlile Dave Cobb & Shooter Jennings, producers; Dave Cobb & Eddie Spear, engineers/mixers; Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters; Pete Lyman, mastering engineer
H.E.R. H.E.R. Darhyl “Hey DJ” Camper Jr, H.E.R. & Jeff Robinson, producers; Miki Tsutsumi, engineer/mixer; Darhyl Camper Jr & H.E.R., songwriters; Dave Kutch, mastering engineer
BEERBONGS & BENTLEYS Post Malone Louis Bell & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell & Austin Post, songwriters; Mike Bozzi, mastering engineer
DIRTY COMPUTER Janelle Monáe Chuck Lightning & Janelle Monáe Robinson & Nate “Rocket” Wonder, producers; Mick Guzauski, Janelle Monáe Robinson & Nate “Rocket” Wonder, engineers/mixers; Nathaniel Irvin III, Charles Joseph II, Taylor Parks & Janelle Monáe Robinson, songwriters; Dave Kutch, mastering engineer
GOLDEN HOUR Kacey Musgraves Ian Fitchuk, Kacey Musgraves & Daniel Tashian, producers; Craig Alvin & Shawn Everett, engineers/mixers; Ian Fitchuk, Kacey Musgraves & Daniel Tashian, songwriters; Greg Calbi & Steve Fallone, mastering engineers
BLACK PANTHER: THE ALBUM, MUSIC FROM AND INSPIRED BY (Various Artists) Kendrick Lamar, featured artist; Kendrick Duckworth & Sounwave, producers; Matt Schaeffer, engineer/mixer; Kendrick Duckworth & Mark Spears, songwriters; Mike Bozzi, mastering engineer
3. Song Of The Year A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
ALL THE STARS Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
BOO’D UP Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai)
GOD’S PLAN Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
IN MY BLOOD Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters (Shawn Mendes)
THE JOKE Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
THE MIDDLE Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski, songwriters (Zedd, Maren Morris & Grey)
SHALLOW Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)
THIS IS AMERICA Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)
4. Best New Artist An artist will be considered for Best New Artist if their eligibility year release/s achieved a breakthrough into the public consciousness and notably impacted the musical landscape.
12. Best Rock Performance For new vocal or instrumental solo, duo/group or collaborative rock recordings.
FOUR OUT OF FIVE Arctic Monkeys
WHEN BAD DOES GOOD Chris Cornell
MADE AN AMERICA THE FEVER 333
HIGHWAY TUNE Greta Van Fleet
13. Best Metal Performance For new vocal or instrumental solo, duo/group or collaborative metal recordings.
CONDEMNED TO THE GALLOWS Between The Buried And Me
ELECTRIC MESSIAH High On Fire
ON MY TEETH Underoath
14. Best Rock Song A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BLACK SMOKE RISING Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel Robert Wagner, songwriters (Greta Van Fleet)
JUMPSUIT Tyler Joseph, songwriter (Twenty One Pilots)
MANTRA Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon)
MASSEDUCTION Jack Antonoff & Annie Clark, songwriters (St. Vincent)
RATS Tom Dalgety & A Ghoul Writer, songwriters (Ghost)
15. Best Rock Album For albums containing at least 51% playing time of new rock, hard rock or metal recordings.
17. Best R&B Performance For new vocal or instrumental R&B recordings.
LONG AS I LIVE Toni Braxton
SUMMER The Carters
Y O Y Lalah Hathaway
BEST PART H.E.R. Featuring Daniel Caesar
FIRST BEGAN PJ Morton
18. Best Traditional R&B Performance For new vocal or instrumental traditional R&B recordings.
BET AIN’T WORTH THE HAND Leon Bridges
DON’T FALL APART ON ME TONIGHT Bettye LaVette
HOW DEEP IS YOUR LOVE PJ Morton Featuring Yebba
MADE FOR LOVE Charlie Wilson Featuring Lalah Hathaway
19. Best R&B Song A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BOO’D UP Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai)
COME THROUGH AND CHILL Jermaine Cole, Miguel Pimentel & Salaam Remi, songwriters (Miguel Featuring J. Cole & Salaam Remi)
FEELS LIKE SUMMER Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)
22. Best Rap Performance For a Rap performance. Singles or Tracks only.
BE CAREFUL Cardi B
NICE FOR WHAT Drake
KING’S DEAD Kendrick Lamar, Jay Rock, Future & James Blake
BUBBLIN Anderson .Paak
SICKO MODE Travis Scott, Drake, Big Hawk & Swae Lee
23. Best Rap/Sung Performance For a solo or collaborative performance containing both elements of R&B melodies and Rap.
LIKE I DO Christina Aguilera Featuring Goldlink
PRETTY LITTLE FEARS 6lack Featuring J. Cole
THIS IS AMERICA Childish Gambino
ALL THE STARS Kendrick Lamar & SZA
ROCKSTAR Post Malone Featuring 21 Savage
24. Best Rap Song A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
GOD’S PLAN Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
KING’S DEAD Kendrick Duckworth, Samuel Gloade, James Litherland, Johnny McKinzie, Mark Spears, Travis Walton, Nayvadius Wilburn & Michael Williams II, songwriters (Kendrick Lamar, Jay Rock, Future & James Blake)
LUCKY YOU R. Fraser, G. Lucas, M. Mathers, M. Samuels & J. Sweet, songwriters (Eminem Featuring Joyner Lucas)
SICKO MODE Khalif Brown, Rogét Chahayed, BryTavious Chambers, Mike Dean, Mirsad Dervic, Kevin Gomringer, Tim Gomringer, Aubrey Graham, John Edward Hawkins, Chauncey Hollis, Jacques Webster, Ozan Yildirim & Cydel Young, songwriters (Travis Scott, Drake, Big Hawk & Swae Lee)
WIN K. Duckworth, A. Hernandez, J. McKinzie, M. Samuels & C. Thompson, songwriters (Jay Rock)
25. Best Rap Album For albums containing at least 51% playing time of new rap recordings.
26. Best Country Solo Performance For new vocal or instrumental solo country recordings.
WOULDN’T IT BE GREAT? Loretta Lynn
MONA LISAS AND MAD HATTERS Maren Morris
BUTTERFLIES Kacey Musgraves
MILLIONAIRE Chris Stapleton
PARALLEL LINE Keith Urban
27. Best Country Duo/Group Performance For new vocal or instrumental duo/group or collaborative country recordings.
SHOOT ME STRAIGHT Brothers Osborne
TEQUILA Dan + Shay
WHEN SOMEONE STOPS LOVING YOU Little Big Town
DEAR HATE Maren Morris Featuring Vince Gill
MEANT TO BE Bebe Rexha & Florida Georgia Line
28. Best Country Song A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BREAK UP IN THE END Jessie Jo Dillon, Chase McGill & Jon Nite, songwriters (Cole Swindell)
DEAR HATE Tom Douglas, David Hodges & Maren Morris, songwriters (Maren Morris Featuring Vince Gill)
I LIVED IT Rhett Akins, Ross Copperman, Ashley Gorley & Ben Hayslip, songwriters (Blake Shelton)
SPACE COWBOY Luke Laird, Shane McAnally & Kacey Musgraves, songwriters (Kacey Musgraves)
TEQUILA Nicolle Galyon, Jordan Reynolds & Dan Smyers, songwriters (Dan + Shay)
WHEN SOMEONE STOPS LOVING YOU Hillary Lindsey, Chase McGill & Lori McKenna, songwriters (Little Big Town)
29. Best Country Album For albums containing at least 51% playing time of new country recordings.
31. Best Improvised Jazz Solo For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter’s name is in parenthesis for identification. Singles or Tracks only.
SOME OF THAT SUNSHINE Regina Carter, soloist Track from: Some Of That Sunshine (Karrin Allyson)
DON’T FENCE ME IN John Daversa, soloist Track from: American Dreamers: Voices Of Hope, Music Of Freedom (John Daversa Big Band Featuring DACA Artists)
CADENAS Miguel Zenón, soloist Track from: Yo Soy La Tradición (Miguel Zenón Featuring Spektral Quartet)
32. Best Jazz Vocal Album For albums containing at least 51% playing time of new vocal jazz recordings.
MY MOOD IS YOU Freddy Cole
THE QUESTIONS Kurt Elling
THE SUBJECT TONIGHT IS LOVE Kate McGarry With Keith Ganz & Gary Versace
IF YOU REALLY WANT Raul Midón With The Metropole Orkest Conducted By Vince Mendoza
THE WINDOW Cécile McLorin Salvant
33. Best Jazz Instrumental Album For albums containing at least 51% playing time of new instrumental jazz recordings.
DIAMOND CUT Tia Fuller
LIVE IN EUROPE Fred Hersch Trio
SEYMOUR READS THE CONSTITUTION! Brad Mehldau Trio
STILL DREAMING Joshua Redman, Ron Miles, Scott Colley & Brian Blade
EMANON The Wayne Shorter Quartet
34. Best Large Jazz Ensemble Album For albums containing at least 51% playing time of new ensemble jazz recordings.
ALL ABOUT THAT BASIE The Count Basie Orchestra Directed By Scotty Barnhart
AMERICAN DREAMERS: VOICES OF HOPE, MUSIC OF FREEDOM John Daversa Big Band Featuring DACA Artists
PRESENCE Orrin Evans And The Captain Black Big Band
ALL CAN WORK John Hollenbeck Large Ensemble
BAREFOOT DANCES AND OTHER VISIONS Jim McNeely & The Frankfurt Radio Big Band
35. Best Latin Jazz Album For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.
HEART OF BRAZIL Eddie Daniels
BACK TO THE SUNSET Dafnis Prieto Big Band
WEST SIDE STORY REIMAGINED Bobby Sanabria Multiverse Big Band
YO SOY LA TRADICIÓN Miguel Zenón Featuring Spektral Quartet
GOSPEL/CONTEMPORARY CHRISTIAN MUSIC
36. Best Gospel Performance/Song This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.
YOU WILL WIN Jekalyn Carr; Allen Carr & Jekalyn Carr, songwriters
WON’T HE DO IT Koryn Hawthorne
NEVER ALONE Tori Kelly Featuring Kirk Franklin; Kirk Franklin & Victoria Kelly, songwriters
CYCLES Jonathan McReynolds Featuring DOE; Jonathan McReynolds, songwriter
A GREAT WORK Brian Courtney Wilson; Aaron W. Lindsey, Alvin Richardson & Brian Courtney Wilson, songwriters
37. Best Contemporary Christian Music Performance/Song This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian pop, Christian rap/hip-hop, or Christian rock single or track.
RECKLESS LOVE Cory Asbury; Cory Asbury, Caleb Culver & Ran Jackson, songwriters
YOU SAY Lauren Daigle; Lauren Daigle, Jason Ingram & Paul Mabury, songwriters
JOY. for KING & COUNTRY; Ben Glover, Matt Hales, Stephen Blake Kanicka, Seth Moslely, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
GRACE GOT YOU MercyMe Featuring John Reuben; David Garcia, Ben Glover, MercyMe, Solomon Olds & John Reuben, songwriters
KNOWN Tauren Wells; Ethan Hulse, Jordan Sapp & Tauren Wells, songwriters
38. Best Gospel Album For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.
ONE NATION UNDER GOD Jekalyn Carr
HIDING PLACE Tori Kelly
MAKE ROOM Jonathan McReynolds
THE OTHER SIDE The Walls Group
A GREAT WORK Brian Courtney Wilson
39. Best Contemporary Christian Music Album For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, or rock recordings.
LOOK UP CHILD Lauren Daigle
HALLELUJAH HERE BELOW Elevation Worship
LIVING WITH A FIRE Jesus Culture
SURROUNDED Michael W. Smith
SURVIVOR: LIVE FROM HARDING PRISON Zach Williams
40. Best Roots Gospel Album For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.
41. Best Latin Pop Album For albums containing at least 51% playing time of new Latin pop recordings.
PROMETO Pablo Alboran
SINCERA Claudia Brant
MUSAS (UN HOMENAJE AL FOLCLORE LATINOAMERICANO EN MANOS DE LOS MACORINOS), VOL. 2 Natalia Lafourcade
2:00 AM Raquel Sofía
VIVES Carlos Vives
42. Best Latin Rock, Urban or Alternative Album For albums containing at least 51% playing time of new Latin rock, urban or alternative recordings.
ENCANTO TROPICAL Monsieur Periné
43. Best Regional Mexican Music Album (Including Tejano) For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.
PRIMERO SOY MEXICANA Angela Aguilar
MITAD Y MITAD Calibre 50
TOTALMENTE JUAN GABRIEL VOL. II Aida Cuevas
CRUZANDO BORDERS Los Texmaniacs
LEYENDAS DE MI PUEBLO Mariachi Sol De Mexico De Jose Hernandez
¡MÉXICO POR SIEMPRE! Luis Miguel
44. Best Tropical Latin Album For albums containing at least 51% playing time of new tropical Latin recordings.
45. Best American Roots Performance For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).
KICK ROCKS Sean Ardoin
SAINT JAMES INFIRMARY BLUES Jon Batiste
THE JOKE Brandi Carlile
ALL ON MY MIND Anderson East
LAST MAN STANDING Willie Nelson
46. Best American Roots Song A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
ALL THE TROUBLE Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack)
BUILD A BRIDGE Jeff Tweedy, songwriter (Mavis Staples)
THE JOKE Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
KNOCKIN’ ON YOUR SCREEN DOOR Pat McLaughlin & John Prine, songwriters (John Prine)
SUMMER’S END Pat McLaughlin & John Prine, songwriters (John Prine)
47. Best Americana Album For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.
BY THE WAY, I FORGIVE YOU Brandi Carlile
THINGS HAVE CHANGED Bettye LaVette
THE TREE OF FORGIVENESS John Prine
THE LONELY, THE LONESOME & THE GONE Lee Ann Womack
ONE DROP OF TRUTH The Wood Brothers
48. Best Bluegrass Album For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.
PORTRAITS IN FIDDLES Mike Barnett
SISTER SADIE II Sister Sadie
RIVERS AND ROADS Special Consensus
THE TRAVELIN’ MCCOURYS The Travelin’ McCourys
NORTH OF DESPAIR Wood & Wire
49. Best Traditional Blues Album For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.
SOMETHING SMELLS FUNKY ‘ROUND HERE Elvin Bishop’s Big Fun Trio
BENTON COUNTY RELIC Cedric Burnside
THE BLUES IS ALIVE AND WELL Buddy Guy
NO MERCY IN THIS LAND Ben Harper And Charlie Musselwhite
DON’T YOU FEEL MY LEG (THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER) Maria Muldaur
50. Best Contemporary Blues Album For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.
PLEASE DON’T BE DEAD Fantastic Negrito
HERE IN BABYLON Teresa James And The Rhythm Tramps
CRY NO MORE Danielle Nicole
OUT OF THE BLUES Boz Scaggs
VICTOR WAINWRIGHT AND THE TRAIN Victor Wainwright And The Train
51. Best Folk Album For albums containing at least 51% playing time of new vocal or instrumental folk recordings.
WHISTLE DOWN THE WIND Joan Baez
BLACK COWBOYS Dom Flemons
RIFLES & ROSARY BEADS Mary Gauthier
WEED GARDEN Iron & Wine
ALL ASHORE Punch Brothers
52. Best Regional Roots Music Album For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.
58. Best Musical Theater Album For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.
THE BAND’S VISIT Etai Benson, Adam Kantor, Katrina Lenk & Ari’el Stachel, principal soloists; Dean Sharenow & David Yazbek, producers; David Yazbek, composer & lyricist (Original Broadway Cast)
CAROUSEL Renee Fleming, Alexander Gemignani, Joshua Henry, Lindsay Mendez & Jessie Mueller, principal soloists; Steven Epstein, producer (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2018 Broadway Cast)
JESUS CHRIST SUPERSTAR LIVE IN CONCERT Sara Bareilles, Alice Cooper, Ben Daniels, Brandon Victor Dixon, Erik Grönwall, Jin Ha, John Legend, Norm Lewis & Jason Tam, principal soloists; Harvey Mason, Jr., producer (Andrew Lloyd-Webber, composer; Tim Rice, lyricist) (Original Television Cast)
MY FAIR LADY Lauren Ambrose, Norbert Leo Butz & Harry Hadden-Paton, principal soloists; Andre Bishop, Van Dean, Hattie K. Jutagir, David Lai, Adam Siegel & Ted Sperling, producers (Frederick Loewe, composer; Alan Jay Lerner, lyricist) (2018 Broadway Cast)
ONCE ON THIS ISLAND Phillip Boykin, Merle Dandridge, Quentin Earl Darrington, Hailey Kilgore, Kenita R. Miller, Alex Newell, Isaac Powell & Lea Salonga, principal soloists; Lynn Ahrens, Hunter Arnold, Ken Davenport, Stephen Flaherty & Elliot Scheiner, producers (Stephen Flaherty, composer; Lynn Ahrens, lyricist) (New Broadway Cast)
MUSIC FOR VISUAL MEDIA
59. Best Compilation Soundtrack For Visual Media Award to the artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).
CALL ME BY YOUR NAME (Various Artists)
DEADPOOL 2 (Various Artists)
THE GREATEST SHOWMAN (Various Artists)
LADY BIRD (Various Artists)
STRANGER THINGS (Various Artists)
60. Best Score Soundtrack For Visual Media Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.
BLACK PANTHER Ludwig Göransson, composer
BLADE RUNNER 2049 Benjamin Wallfisch & Hans Zimmer, composers
COCO Michael Giacchino, composer
THE SHAPE OF WATER Alexandre Desplat, composer
STAR WARS: THE LAST JEDI John Williams, composer
61. Best Song Written For Visual Media A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
ALL THE STARS Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA) Track from: Black Panther
MYSTERY OF LOVE Sufjan Stevens, songwriter (Sufjan Stevens) Track from: Call Me By Your Name
REMEMBER ME Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade) Track from: Coco
SHALLOW Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper) Track from: A Star Is Born
THIS IS ME Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble) Track from: The Greatest Showman
62. Best Instrumental Composition A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.
BLUT UND BODEN (BLOOD AND SOIL) Terence Blanchard, composer (Terence Blanchard)
CHRYSALIS Jeremy Kittel, composer (Kittel & Co.)
INFINITY WAR Alan Silverstri, composer (Alan Silvestri)
MINE MISSION John Powell & John Williams, composers (John Powell & John Williams)
THE SHAPE OF WATER Alexandre Desplat, composer (Alexandre Desplat)
63. Best Arrangement, Instrumental or A Cappella An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.
BATMAN THEME (TV) Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis)
CHANGE THE WORLD Mark Kibble, arranger (Take 6)
MADRID FINALE John Powell, arranger (John Powell)
THE SHAPE OF WATER Alexandre Desplat, arranger (Alexandre Desplat)
STARS AND STRIPES FOREVER John Daversa, arranger (John Daversa Big Band Featuring DACA Artists)
64. Best Arrangement, Instruments and Vocals An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.
IT WAS A VERY GOOD YEAR Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson)
JOLENE Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach)
MONA LISA Vince Mendoza, arranger (Gregory Porter)
VOICES OF MISSISSIPPI: ARTISTS AND MUSICIANS DOCUMENTED BY WILLIAM FERRIS William Ferris, April Ledbetter & Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists)
69. Best Engineered Album, Non-Classical An Engineer’s Award. (Artists names appear in parentheses.)
ALL THE THINGS THAT I DID AND ALL THE THINGS THAT I DIDN’T DO Ryan Freeland & Kenneth Pattengale, engineers; Kim Rosen, mastering engineer (The Milk Carton Kids)
COLORS Julian Burg, Serban Ghenea, David “Elevator” Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp & Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar & Randy Merrill, mastering engineers (Beck)
EARTHTONES Robbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas)
HEAD OVER HEELS Nathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick “P-Thugg” Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn Oliver, Chris “TEK” O’Ryan, Morgan Taylor Reid & Gian Stone, engineers; Chris Gehringer & Michelle Mancini, mastering engineers (Chromeo)
VOICENOTES Manny Marroquin & Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth)
70. Producer Of The Year, Non-Classical A Producer’s Award. (Artists names appear in parentheses.)
• Be Careful (Cardi B) (T) • Diplomatic Immunity (Drake) (S) • Friends (The Carters) (T) • God’s Plan (Drake) (S) • Heard About Us (The Carters) (T) • Lucky You (Eminem Featuring Joyner Lucas) (T) • Mob Ties (Drake) (T) • No Limit (G-Eazy Featuring A$AP Rocky & Cardi B) (S)
• All These Things (Thomas Dybdahl) (S) • Anthem (Madeleine Peyroux) (A) • The Book Of Longing (Luciana Souza) (A) • Can I Have It All (Thomas Dybdahl) (S) • Junk (Hailey Tuck) (A) • Look At What We’ve Done (Thomas Dybdahl) (S) • Meaning To Tell Ya (Molly Johnson) (A)
• Harder Better Faster Stronger (Willa Amai) (S) • Served Like A Girl (Music From And Inspired By The Documentary Film) (Various Artists) (A) • 28 Days In The Valley (Dorothy) (A)
• Daytona (Pusha T) (A) • Kids See Ghosts (Kids See Ghosts) (A) • K.T.S.E. (Teyana Taylor) (A) • Nasir (Nas) (A) • Ye (Kanye West) (A)
• Apes*** (The Carters) (T) • Man Of The Woods (Justin Timberlake) (A) • No One Ever Really Dies (N.E.R.D) (A) • Stir Fry (Migos) (T) • Sweetener (Ariana Grande) (A)
71. Best Remixed Recording A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.
AUDIO (CID REMIX) CID, remixer (LSD)
HOW LONG (EDX’S DUBAI SKYLINE REMIX) Maurizio Colella, remixer (Charlie Puth)
ONLY ROAD (COSMIC GATE REMIX) Stefan Bossems & Claus Terhoeven, remixers (Gabriel & Dresden Featuring Sub Teal)
WALKING AWAY (MURA MASA REMIX) Alex Crossan, remixer (Haim)
PRODUCTION, IMMERSIVE AUDIO
72. Best Immersive Audio Album For vocal or instrumental albums in any genre. Must be commercially released on DVD-Audio, DVD-Video, SACD, Blu-Ray, or burned download-only/streaming-only copies and must provide a new surround mix of four or more channels. Award to the surround mix engineer, surround producer (if any) and surround mastering engineer (if any).
EYE IN THE SKY – 35TH ANNIVERSARY EDITION Alan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson & Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)
FOLKETONER Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask & Det Norske Jentekor)
SEVEN WORDS FROM THE CROSS Daniel Shores, surround mix engineer; Daniel Shores, surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard & Skylark)
SYMBOL Prashant Mistry & Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry & Ronald Prent, surround producers (Engine-Earz Experiment)
73. Best Engineered Album, Classical An Engineer’s Award. (Artist names appear in parentheses.)
BATES: THE (R)EVOLUTION OF STEVE JOBS Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
JOHN WILLIAMS AT THE MOVIES Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds)
LIQUID MELANCHOLY – CLARINET MUSIC OF JAMES M. STEPHENSON Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh)
SHOSTAKOVICH: SYMPHONIES NOS. 4 & 11 Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)
VISIONS AND VARIATIONS Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry)
74. Producer Of The Year, Classical A Producer’s Award. (Artist names appear in parentheses.)
• Arnesen: Infinity – Choral Works (Joel Rinsema & Kantorei) • Aspects Of America (Carlos Kalmar & Oregon Symphony) • Chesnokov: Teach Me Thy Statutes (Vladimir Gorbik & PaTRAM Institute Male Choir) • Gordon, R.: The House Without A Christmas Tree (Bradley Moore, Elisabeth Leone, Maximillian Macias, Megan Mikailovna Samarin, Patricia Schuman, Lauren Snouffer, Heidi Stober, Daniel Belcher, Houston Gran Opera Juvenile Chorus & Houston Grand Opera Orchestra) • Haydn: The Creation (Andrés Orozco-Estrada, Betsy Cook Weber, Houston Symphony & Houston Symphony Chorus) • Heggie: Great Scott (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra) • Music Of Fauré, Buide & Zemlinsky (Trio Séléné) • Paterson: Three Way – A Trio Of One-Act Operas (Dean Williamson, Daniele Pastin, Courtney Ruckman, Eliza Bonet, Melisa Bonetti, Jordan Rutter, Samuel Levine, Wes Mason, Matthew Treviño & Nashville Opera Orchestra) • Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade To Music; Flos Campi (Peter Oundjian & Toronto Symphony Orchestra)
• Beethoven: Piano Sonatas, Volume 7 (Jonathan Biss) • Mirror In Mirror (Anne Akiko Meyers, Kristjan Järvi & Philharmonia Orchestra) • Mozart: Idomeneo (James Levine, Alan Opie, Matthew Polenzani, Alice Coote, Nadine Sierra, Elza van den Heever, The Metropolitan Opera Orchestra & Chorus) • Presentiment (Orion Weiss) • Strauss, R.: Der Rosenkavalier (Sebastian Weigle, Renée Fleming, Elīna Garanča, Erin Morley, Günther Groissböck, Metropolitan Opera Orchestra & Chorus)
• Bates: The (R)evolution Of Steve Jobs (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra) • The Road Home (Joshua Habermann & Santa Fe Desert Chorale)
• Beethoven Unbound (Llŷr Williams) • Black Manhattan Volume 3 (Rick Benjamin & Paragon Ragtime Orchestra) • Bolcom: Piano Music (Various Artists) • Del Tredici: March To Tonality (Mark Peskanov & Various Artists) • Love Comes In At The Eye (Timothy Jones, Stephanie Sant’Ambrogio, Jeffrey Sykes, Anthony Ross, Carol Cook, Beth Rapier & Stephanie Jutt) • Meltzer: Variations On A Summer Day & Piano Quartet (Abigail Fischer, Jayce Ogren & Sequitur) • Mendelssohn: Complete Works For Cello And Piano (Marcy Rosen & Lydia Artymiw) • New Music For Violin And Piano (Julie Rosenfeld & Peter Miyamoto) • Reich: Pulse/Quartet (Colin Currie Group & International Contemporary Ensemble)
76. Best Opera Recording Award to the Conductor, Album Producer(s) and Principal Soloists.
ADAMS: DOCTOR ATOMIC John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers)
BATES: THE (R)EVOLUTION OF STEVE JOBS Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edwards Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)
LULLY: ALCESTE Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur)
STRAUSS, R.: DER ROSENKAVALIER Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
VERDI: RIGOLETTO Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras & Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir)
77. Best Choral Performance Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
CHESNOKOV: TEACH ME THY STATUTES Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir)
KASTALSKY: MEMORY ETERNAL Steven Fox, conductor (The Clarion Choir)
MCLOSKEY: ZEALOT CANTICLES Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing)
RACHMANINOV: THE BELLS Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
SEVEN WORDS FROM THE CROSS Matthew Guard, conductor (Skylark)
78. Best Chamber Music/Small Ensemble Performance For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
ANDERSON, LAURIE: LANDFALL Laurie Anderson & Kronos Quartet
BEETHOVEN, SHOSTAKOVICH & BACH The Danish String Quartet
BLUEPRINTING Aizuri Quartet
STRAVINSKY: THE RITE OF SPRING CONCERTO FOR TWO PIANOS Leif Ove Andsnes & Marc-André Hamelin
VISIONS AND VARIATIONS A Far Cry
79. Best Classical Instrumental Solo Award to the Instrumental Soloist(s) and to the Conductor when applicable.
BARTÓK: PIANO CONCERTO NO. 2 Yuja Wang; Simon Rattle, conductor (Berliner Philharmoniker)
BIBER: THE MYSTERY SONATAS Christina Day Martinson; Martin Pearlman, conductor (Boston Baroque)
BRUCH: SCOTTISH FANTASY, OP. 46; VIOLIN CONCERTO NO. 1 IN G MINOR, OP. 26 Joshua Bell (The Academy Of St. Martin In The Fields)
GLASS: THREE PIECES IN THE SHAPE OF A SQUARE Craig Morris
KERNIS: VIOLIN CONCERTO James Ehnes; Ludovic Morlot, conductor (Seattle Symphony)
80. Best Classical Solo Vocal Album Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
ARC Anthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy)
THE HANDEL ALBUM Philippe Jaroussky; Artaserse, ensemble
SONGS OF ORPHEUS – MONTEVERDI, CACCINI, D’INDIA & LANDI Karim Sulayman; Jeannette Sorrell, conductor; Apollo’s Fire, ensembles
81. Best Classical Compendium Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
FUCHS: PIANO CONCERTO ‘SPIRITUALIST’; POEMS OF LIFE; GLACIER; RUSH JoAnn Falletta, conductor; Tim Handley, producer
GOLD The King’s Singers; Nigel Short, producer
THE JOHN ADAMS EDITION Simon Rattle, conductor; Christoph Franke, producer
JOHN WILLIAMS AT THE MOVIES Jerry Junkin, conductor; Donald J. McKinney, producer
VAUGHAN WILLIAMS: PIANO CONCERTO; OBOE CONCERTO; SERENADE TO MUSIC; FLOS CAMPI Peter Oundjian, conductor; Blanton Alspaugh, producer
82. Best Contemporary Classical Composition A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
BATES: THE (R)EVOLUTION OF STEVE JOBS Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
DU YUN: AIR GLOW Du Yun, composer (International Contemporary Ensemble)
HEGGIE: GREAT SCOTT Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
“Isn’t the world full of wonderful things?” – Hello Dolly, It Only Takes a Moment
Audiences will enjoy many great moments to come at The Pantages Theatre in Hollywood! Broadway’s favorite hit musicals, including Wicked, now through January 27, 2019, followed by Hello Dolly, Kinky Boots, Cats, Charlie and the Chocolate Factory and more!
For more information visit: https://www.hollywoodpantages.com/events
LOS ANGELES (Dec. 5, 2018) – The Amgen Tour of Californiaorganizers today announced the 13 Host Cities selected for the 14th edition of America’s premier professional cycling stage race set for May 12-18, 2019. Throughout seven stages over seven days, the world’s elite cyclists will contest more than 750 miles of roadways, highways and coastlines from Sacramento to Pasadena.
The Amgen Tour of California Women’s Race empowered with SRAM,showcasing the world’s best women cyclists, will run concurrently May 16-18, covering upwards of 180 miles over three stages. Owned and presented by AEG, both races conclude with same-day finishes in Pasadena, a veteran overall finish city.
The City of Santa Clarita will host the start for the final stage of both the men’s and women’s races on Saturday, May 18, 2019. The men and women competing in the Amgen Tour of California and the Amgen Tour of California Women’s Race empowered with SRAM will race through the streets of Santa Clarita before waving goodbye as they push toward the overall finish line in Pasadena. Of the 2019 lineup of California Host Cities, the City of Santa Clarita has the distinction of having hosted the most stages in race history, and 2019 will mark its 14th hosted stage.
“We are honored for the opportunity to host another stage for the Amgen Tour of California. It is not often that we bring a world-class race event right to our residents’ backyards!” said Mayor Laurene Weste. “With an event this prestigious, it really boosts our tourism efforts by having regional, national and international eyes on Santa Clarita. This the 14th stage we’ve hosted and every time we have had a wonderful experience partnering with the Amgen Tour of California.”
The annual Amgen Tour of California carries the distinction of being the only U.S. men’s and women’s races on the UCI WorldTour calendar and have helped launch some of today’s best known and most decorated international cyclists as well as continuing to attract the most talented competitors and teams in the world. With seven new courses between them, the event’s legacy as an international platform for both men’s and women’s racing will hold special significance this year as Olympic hopefuls gear up for Tokyo 2020.
2019 RACE SCHEDULE
Sun., May 12 Stage 1 Sacramento
Mon., May 13 Stage 2 Rancho Cordova to South Lake Tahoe
Tues., May 14 Stage 3 Stockton to Morgan Hill
Wed., May 15 Stage 4 WeatherTech Raceway Laguna Seca to Morro Bay
This year’s course will highlight the distinct beauty of Northern, Central and Southern California. The 2019 Host Cities include the return of fan and race team favorites, long-time veterans like Sacramento, Santa Clarita and Pasadena, and a first-time start in Rancho Cordova.
The 2019 Amgen Tour of California will cover a variety of terrain, showcasing many of California’s most well-known and iconic settings and landmarks, and allowing different types of specialists in the peloton to shine throughout the week. Several fast and flat sections on tap in Sacramento, Morgan Hill and Pasadena will cater to sprinters (not to mention a start overlooking the famous WeatherTech Raceway Laguna Seca motor speedway). Climbers will also face challenges in South Lake Tahoe, the Diablo Mountain Range outside Stockton where they will reach an elevation of 4,625 feet, and on multiple climbs between Pismo Beach and Ventura. Fans and teams alike will count down to the men’s and women’s Queen Stages from Ontario to Mt. Baldy, which will feature a grueling 26-mile fan-favorite climb to the summit finish, a day that will shake up the leader board and can make or break the quest for the overall victory.
A traditional stage for the Amgen Tour of California, the final race day for both the men and women is one that highlights the beauty of long-time race partners: Santa Clarita and Pasadena. Past overall finishes in Pasadena have consistently been dramatic and exciting, with fans from across Southern California lining up to cheer on the fast-and-furious sprint finishes to determine the ultimate champions.
“The Amgen Tour of California continues to serve as an international postcard for the state, showcasing the beauty and diversity of California – and the 2019 host cities certainly reflect that,” said Kristin Klein, president of the Amgen Tour of California and executive vice president of AEG Sports. “We look forward to hosting another truly dynamic and engaging race, which will feature an all-star peloton, continuing the tradition of delivering one of the most exciting sporting events in the country.”
Title sponsor Amgen has been a race partner since race inception. In 2005, Amgen launched Breakaway from Cancer®, its national initiative to increase awareness of important resources available to people affected by cancer – from prevention through survivorship. Amgen expanded its platform in 2016 to launch Breakaway from Heart Disease™, aimed at encouraging Americans to have a game plan to tackle heart disease by understanding their risk through diagnostic screening and by taking charge of their heart health through diet, exercise and appropriate treatment options. To learn more, visit breakawayfromcancer.com and breakawayfromheartdisease.com.
“At Amgen, our mission is to serve patients, and for more than 35 years we have reached millions of people with our medicines,” said Murdo Gordon, executive vice president, Global Commercial Operations, Amgen. “Our sponsorship of the Amgen Tour of California gives us a platform to educate and empower people to connect with the resources that enable living a longer, healthier life.”
**AMGEN TOUR OF CALIFORNIA SUPPORTS CALIFORNIA WILDFIRE RELIEF
As a result of the devastation caused by the recent California Wildfires, the Amgen Tour of California, in partnership with the LA Kings and AEG Sports are proud to donate $100,000 to the American Red Cross.
“The recent fires have caused our community and our state incredible and unimaginable damage. AEG continues to thank those who have worked tirelessly to help combat the fires. Our hearts go out to those who have suffered hardships. We are making this donation to the America Red Cross in honor of the first responders and all who have been impacted. We are also encouraging our fans and our supporters to help by making donations as well,” said Dan Beckerman, president and CEO, AEG and Alternate Governor, Kings.
“The devastation has severely impacted the entire state of California, including many of our past and upcoming host cities of the Amgen Tour of California,” said Kristin Klein, president, Amgen Tour of California & executive vice president, AEG Sports. “We’re not just a state. But a collection of communities that come together to support each in time of need and we are proud to support the relief efforts undertaken by so many of the first responders and the American Red Cross.”
Red Cross volunteers are supporting evacuation centers to provide safe refuge for people impacted by these devastating fires. Additionally, they are also providing meals, health services, spiritual care, comfort and other support for affected residents.
Please consider joining our organization in supporting the Red Cross’ efforts in California. Visit the American Red Cross to donate today.
About the Amgen Tour of California
The Amgen Tour of California and the Amgen Women’s Race empowered with SRAM are Tour de France-style cycling road races created and presented by AEG. Running concurrently, the races challenge the world’s top professional cycling teams to compete along demanding courses that traverse hundreds of miles of California’s iconic highways, byways and coastlines each spring. The teams chosen to participate have included Olympic medalists, Tour de France contenders and World Champions, and award important, world-ranking points to the top finishers. For more information visit the Amgen Tour of California on Instagram, Facebook, Twitter, YouTube or www.amgentourofcalifornia.com.
Amgen is committed to unlocking the potential of biology for patients suffering from serious illnesses by discovering, developing, manufacturing and delivering innovative human therapeutics. This approach begins by using tools like advanced human genetics to unravel the complexities of disease and understand the fundamentals of human biology.
Amgen focuses on areas of high unmet medical need and leverages its biologics manufacturing expertise to strive for solutions that improve health outcomes and dramatically improve people’s lives. A biotechnology pioneer since 1980, Amgen has grown to be the world’s largest independent biotechnology company, has reached millions of patients around the world and is developing a pipeline of medicines with breakaway potential.
Headquartered in Los Angeles, California, AEG is the world’s leading sports and live entertainment company. With offices on five continents, AEG operates in the following business segments: AEG Facilities, which is affiliated with or owns, manages or consults with more than 120 preeminent arenas, stadiums, theaters, clubs and convention centers around the world including STAPLES Center, The O2 Arena, the Sprint Center and the Mercedes-Benz Arenas; AEG Live, which is dedicated to all aspects of live contemporary music performances, including producing and promoting global and regional concert tours, music and special events and world-renowned festivals; AEG Real Estate, which develops world-class venues, as well as major sports and entertainment districts like STAPLES Center and L.A. LIVE; AEG Sports, which is the world’s largest operator of sports franchises and high-profile sporting events; and AEG Global Partnerships, which oversees worldwide sales and servicing of sponsorships including naming rights, premium seating and other strategic partnerships. Through its worldwide network of venues, portfolio of powerful sports and music brands, AXS.com ticketing platform, AXS cable television channel and its integrated entertainment districts, AEG entertains more than 100 million guests annually. More information about AEG can be found at www.aegworldwide.com.
THE MUSEUM’S TEMPORARY EXHIBITION PROGRAM WILL LAUNCH WITH A RETROSPECTIVE OF LEGENDARY FILMMAKER HAYAO MIYAZAKI FOLLOWED BY AN UNPRECEDENTED EXPLORATION OF BLACK CINEMA BETWEEN 1900–1970
TOKYO-BASED ART COLLECTIVE TEAMLAB WILL BE THE FIRST CUTTING-EDGE CREATORS TO ACTIVATE THE MUSEUM’S SOARING PROJECT SPACE
LOS ANGELES, CA, December 4, 2018—Kerry Brougher, Director of the Academy Museum of Motion Pictures, today announced the details of the inaugural exhibitions that will be on view when the Museum opens in late 2019. The first institution of its scope and scale devoted to the past, present, and future of cinema, the Academy Museum will open with a long-term exhibition that explores the evolution of film from its beginnings to its possible futures. Where Dreams Are Made: A Journey Inside the Movies (WORKING TITLE) will occupy two floors of the Museum’s iconic Saban Building—formerly known as the May Company building—and looks at the development of the art and science of motion pictures. Brougher also announced the institution’s first temporary exhibitions.
The Museum will open with Hayao Miyazaki (WORKING TITLE), presented in collaboration with the filmmaker’s Studio Ghibli—the first major exhibition of his work presented in the United States.
This exhibition will be followed by Regeneration: Black Cinema 1900–1970 (Fall 2020), a groundbreaking exhibition that reveals the important and under-recognized history of African-American filmmakers in the development of American cinema.
It will explore African-American representation in the motion picture from its advent to just beyond the Civil Rights era. The Museum’s 34-foot-high project space will open with a major work by the Tokyo-based interdisciplinary art collective teamLab. Additional exhibitions will include Making of: The Wizard of Oz, featuring elements that contributed to the creation of this iconic film, a history of the Academy Awards, and an Oscars® experience. Kerry Brougher said, “We want the Academy Museum to add to the public’s understanding of the evolution of the art and science of filmmaking around the world—to increase appreciation for this great art form and encourage people to examine the role of movies in society. At the same time, we want to bring to life the most important reason of all for caring about the movies—because they’re magic. That’s why we intend to transport our visitors into a world that exists somewhere between reality and illusion. Like the experience of watching a movie, a trip to the Museum will be a kind of waking dream in which visitors feel as if they’ve slipped through the screen to see how the magic is created.” Ron Meyer, Chairman of the Board of the Academy Museum and Vice Chairman of NBCUniversal, said, “The Trustees and I are tremendously proud to see how the exhibitions of the Academy Museum are coming together.
Thanks to the extraordinary creative team that Kerry has assembled, these experiences are going to be beautiful and engaging, thoughtful and surprising. The art of film, and our new Academy Museum, deserve nothing less.” Dawn Hudson, CEO of the Academy of Motion Picture Arts and Sciences, said, “It’s been 90 years since the founders of the Academy proposed creating a museum of film in Los Angeles. How thrilling to be able to deliver on that dream. The Museum’s exhibitions are as expansive and imaginative as the movies we love. With its piazza and open spaces, the Museum will be a gathering place for film lovers and will invite people from all over the world to re-experience and deepen our collective love of this art form, accessible to all.” John Bailey, President of the Academy’s Board of Governors, said, “The Academy Museum is the realization of a long-held Academy dream to preserve movie history and to bring it into the lives of filmmakers, scholars, young people, and the worldwide public. The great resources and dedicated work of the Margaret Herrick Library and the Academy Film Archive provide a foundation for the Museum’s extraordinary installations and changing exhibitions. This Museum, created and supported by working filmmakers, will present the story of the movies in ways beyond what a traditional historical film museum can offer.”
WHERE DREAMS ARE MADE: A JOURNEY INSIDE THE MOVIES The Museum has set several interpretative goals for its exhibitions and programs: to convey the emotional and imaginative power of film, to offer visitors a look behind the screen into how movies evolved and are made, to explore the impact of cinema on our society and the culture at large, and to ensure film’s legacy as the great art form of our time.
Where Dreams Are Made will unfold over 30,000 square feet on two floors of the Museum. It brings together evocative settings, key objects from the Academy’s unparalleled collections and the growing collection of the Museum itself, and an array of film installations. The journey begins in the Spielberg Family Gallery, located in the Grand Lobby, with the installation Making of: The Wizard of Oz. This classic 1939 film is notable for its engaging story, groundbreaking effects, glorious Technicolor world, original musical score—in particular the exquisite voice of Judy Garland—and a cast of unforgettable characters. Visitors will experience the magic of the movie and explore the process of its creation, from the script to production design drawings and sketches, costumes, and hair and makeup tests to the final versions of the characters themselves. It is here that Dorothy’s famed ruby slippers from the Museum’s collection will be found. Finally, evidence of this film’s everlasting impact illustrates the impressive legacy of The Wizard of Oz in popular culture. Visitors will then ascend to the Wanda Gallery on the second floor, where they will enter a corridor that acts as a transition from the real world into the dream-space of cinema. They will emerge into the dramatic Magic and Motion gallery, which evokes the age of innovation and wonder in the 19th century during which inventors created optical illusions and animations with devices that delighted audiences by making still images move and light up, bringing scenes and tales to life. The Lumière and Méliès gallery introduces a central theme of the exhibition—the interplay in cinema between realism and fantasy—as seen in the work of the brothers Louis and Auguste Lumière on one hand, and Georges Méliès on the other. Visitors will experience some of the earliest films ever projected, brief glimpses of daily life that were the forerunners of today’s documentaries and travelogues with which the Lumière brothers astonished audiences all over the world. The delightful “trick” films and dazzling moving image fantasies of stage-magician-turned-filmmaker Méliès prefigured the limitless potential of cinematic imagination even as the medium was still in its infancy. The Story Films gallery inside the restored iconic golden cylinder of the Saban Building will demonstrate how filmmakers around the world quickly developed camera and editing techniques that unleashed this new medium’s potential to tell stories. Visitors will see examples of the first dramas, comedies, adventures, and other genres created for the screen, as well as the first animated short films. Women played significant roles both in front of and behind the camera during this period, and this gallery’s focus on early pioneers such as Alice Guy-Blaché and Lois Weber will not only explore their stories but also survey an industry in the process of being born. Visitors will then enter a maze of monumental screens in the Light and Shadow gallery, which features sequences from the heyday of international silent film, revealing how inventive production design, acting styles, cinematographic effects, and lighting techniques brought mood, atmosphere, and emotion to cinema, elevating it to an art form and entrancing audiences around the world. In the Modern Times section, visitors will encounter three simultaneous moments in cinema history that demonstrate moviemakers’ ability to respond to and impact society. The first was the rise of Hollywood and powerful stars like Mary Pickford and Charlie Chaplin, larger-than-life figures who often created identifiable, sympathetic representations of the “everyman.” The second was the artistic and political eruption of Soviet cinema, particularly advances in editing and montage pioneered by Sergei Eisenstein and Dziga Vertov, who used innovative approaches to capture the drama of daily life. The third was the development of independent filmmaking in America, which sought to counter the stereotypes often created by Hollywood, including films starring all-Black casts, predominantly distributed to Black audiences—otherwise known as “race films”—and production companies formed by notable filmmakers like Oscar Micheaux, Sessue Hayakawa, and Beatriz Michelena. Modern Times leads visitors to the largest of the second-floor galleries, The Studio System, which follows the bustle of the Hollywood assembly line from the advent of synchronized talking pictures in 1927 to the decline of the studio system in the 1960s. This gallery explores the fascinating dichotomy of the era: the “dream” of Hollywood spectacle and the “factory” that made it possible. Here, objects from the Academy’s collection, such as a backdrop from Singin’ in the Rain (1952), the doors to Rick’s Café Américain from Casablanca (1942), and the typewriter used to write Alfred Hitchcock’s Psycho (1960), as well as familiar faces and scenes from the movies themselves will bring to life the myriad people and departments that came together to create studio movies of the time. Visitors will journey through the studio to explore the artistry and also the challenges of Hollywood during its “golden age.” This gallery also highlights many of the era’s most unforgettable stars, from the dancing talents of Fred Astaire, the Nicholas Brothers, and Rita Moreno to the dramatic presence of Humphrey Bogart, Gregory Peck, and Sidney Poitier, and icons of the screen like Greta Garbo, Dolores del Rio, and Marilyn Monroe. As visitors move to the Museum’s third floor Rolex Gallery, they will enter into the Real World. This space will reveal how filmmakers responded to the tensions and challenges of a world changed by World War II. As filmmaking techniques became more and more adaptable, with lighter-weight and more widely available equipment, filmmakers everywhere took to the streets to capture their version of reality and share slices of life on screen. Whether creating fiction films or documentaries, they helped record and shape our history. Visitors will also encounter the rapid growth of independent cinema and the individual expression that characterized movements from Italian Neorealism and French New Wave to Indian Parallel Cinema and Brazilian Cinema Novo. But this is not only a story of the past: such approaches continue to impact and influence filmmaking to the present day. An homage to the Stargate Corridor sequence from Stanley Kubrick’s 2001: A Space Odyssey (1968)—a sequence that brought together experimental film techniques and mainstream cinema—creates a mind-bending passageway to the final section of the exhibition: Imaginary World. With the advent of new tools and technologies, cinematic visions are now limited only by the filmmaker’s imagination. Visitors will be transported to unfamiliar worlds of the past, present, and future to encounter many of the most memorable and beloved movie characters, creatures, and destinations and to hear from the filmmakers themselves how they have pushed the boundaries of filmmaking to make the impossible possible. These films, despite their imagined lands and inhabitants, often provide a mirror that urges us look at ourselves and our own world in new ways. An endeavor of this scope requires a multi-disciplinary creative team, such as the one assembled under the curatorial leadership of Kerry Brougher and Deborah Horowitz, Deputy Director of Creative Content and Programming. Intrinsic to the development of the vision for Where Dreams Are Made is Rick Carter, Oscar-winning production designer for Avatar (2009) and Lincoln (2012). The creative team for the exhibition includes the Museum’s curatorial staff—Doris Berger, Acting Head of Curatorial Affairs; Jessica Niebel, Exhibitions Curator; Bernardo Rondeau, Associate Curator and Head of Film Programs; J. Raul Guzman, Assistant Curator; Dara Jaffe, Assistant Curator; Robert Reneau, Film Program Coordinator; and Ana Santiago, Assistant Curator—as well as producer Brooke Breton, Avatar; sound designer Ben Burtt, Star Wars: Episode IV (1977), E.T. The Extra-Terrestrial (1982); staff from the Academy’s Margaret Herrick Library and Academy Film Archive, Academy governors and members, the Museum’s advisory committee on inclusion, and a range of film scholars and filmmakers. Gallagher & Associates, specialists in interpretive and experience design, are bringing their expertise to the project in order to realize the design and installations.
ACADEMY AWARDS HISTORY AND OSCARS EXPERIENCE
Since 1929, the Academy Awards have been the ultimate recognition of moviemaking excellence. Originally a dinner for industry insiders only, the ceremony has gradually become a global phenomenon watched by millions around the world. Visitors can trace the rich history of the Academy Awards and the story of the Oscar in an exhibition that includes favorite highlights, memorable winners’ speeches, private backstage moments, and rarely seen materials from the Academy’s collection. The exhibition will look back at the show, its glamour as well as its controversies, and the ways in which the Academy Awards ceremony has evolved and been a mirror of our culture. Visitors will then enter a gallery offering an Oscars experience only the Academy can provide, allowing visitors their own photo opportunity and Oscar moment.
TEMPORARY EXHIBITIONS The Academy Museum will also feature a robust schedule of rotating temporary exhibitions in the fourth floor’s Marilyn and Jeffrey Katzenberg Gallery. These exhibitions will include retrospectives of major filmmakers, focused studies on aspects of filmmaking, artists’ projects, and explorations of the way movies reflect and influence society.
The Academy Museum’s opening temporary exhibition will be an unprecedented U.S. retrospective of famed Japanese filmmaker Hayao Miyazaki, curated by Jessica Niebel in collaboration with Studio Ghibli. Celebrated and admired around the world for his imagination, authorial vision, craftsmanship, and deeply humanistic values, Miyazaki continues to influence generations of filmmakers and film lovers. The exhibition will take visitors on a thematic journey through his cinematic worlds using original production materials from Studio Ghibli’s archives and features such films as My Neighbor Totoro (1988) and Spirited Away (2001). The exhibition will present more than 200 concept sketches, character designs, storyboards, layouts, cels, backgrounds, film clips, and immersive environments. A catalogue, film series, and public events will accompany the presentation, and unique Studio Ghibli merchandise will be sold at the Museum’s shop. In the Museum’s Hurd Gallery—a 34-foot-high project space dedicated to the work of contemporary artists and filmmakers pushing the boundaries of moving image media—will be a dramatic interactive installation by teamLab, curated by Kerry Brougher and Deborah Horowitz. teamLab is an interdisciplinary art collective based in Tokyo comprising more than 500 artists, programmers, engineers, CG animators, mathematicians, and architects. Transcending Boundaries presents a site-specific, real-time, ever-changing environment that allows the viewer to engage directly with the artwork itself. teamLab’s work looks toward the expanded possibilities of moving image and digital technology. Following Hayao Miyazaki, the Academy Museum will present Regeneration: Black Cinema 1900-1970 in Fall 2020. Regeneration will explore the visual culture of Black cinema in its manifold expressions from its early days to just beyond the Civil Rights movement. Co-curated by Doris Berger and Rhea Combs, Supervisory Curator of Photography and Film at the Smithsonian’s National Museum of African American History and Culture (NMAAHC), it will be the first exhibition of its kind—a research-driven, in-depth look at Black participation in American filmmaking. In addition to offering a critical exploration of Hollywood productions, Regeneration will highlight the work of independent African-American filmmakers and create dialogues with visual artists. The exhibition’s goal is to redefine American film history as it elevates this under-represented aspect of artistic production and presents a more inclusive story. Regeneration is the proud recipient of the Sotheby’s Prize. The Sotheby’s Prize is an annual award that supports and encourages museums to break new ground. The grant aims to recognize curatorial excellence, and to facilitate exhibitions that explore overlooked or under-represented areas of art history. The Sotheby’s Prize is awarded by a jury comprising Sir Nicholas Serota, Donna De Salvo, Okwui Enwezor, Connie Butler, Emilie Gordenker, and chaired by Allan Schwartzman. Regeneration’s curatorial team is collaborating with an advisory panel throughout the development of the exhibition. The panel brings expertise and experience deeply rooted in scholarship and filmmaking and includes Charles Burnett, filmmaker, Academy member; Ava DuVernay, filmmaker, Academy member; Michael B. Gillespie, Associate Professor, The City College of New York, Department Media Communication Arts; Shola Lynch, Curator, New York Public Library, Schomburg Center for Research in Black Culture, filmmaker, Academy member; Ron Magliozzi, Curator of Film, The Museum of Modern Art; Ellen C. Scott, Associate Professor and Head of Cinema and Media Studies, UCLA School of Theater, Film, and Television; and Jacqueline N. Stewart, Professor, The University of Chicago, Department of Cinema and Media Studies. To encourage visitors to explore, dive deeper, and directly interact with exhibitions, collections, filmmakers, and fellow film lovers, the Museum’s public programs will include panel discussions, symposia, gallery talks, and other public events. The 288-seat Ted Mann Theater will offer daily thematic and exhibition-related screenings, and special showings and events will be held at the 1,000-seat David Geffen Theater. Film programming is overseen by Bernardo Rondeau. In addition, the Museum will offer an innovative range of digital engagement platforms and interactives, including a groundbreaking app. Additional information about Hayao Miyazaki, Transcending Boundaries, Regeneration, and the Museum’s public programs and film screeningswill be announced at a later date. Credit Where Dreams Are Made: A Journey Inside the Movies (WORKING TITLE) is organized by the Academy Museum of Motion Pictures and is supported by Gerry Schwartz and Heather Reisman, John H. and Regina K. Scully, and in part by an award from the National Endowment for the Arts. Hayao Miyazaki (WORKING TITLE) is organized by the Academy Museum of Motion Pictures and is presented in collaboration with Studio Ghibli. Regeneration: Black Cinema 1900-1970 is organized by the Academy Museum of Motion Pictures and is co-curated with a photography and film curator at the Smithsonian’s National Museum of African American History and Culture. The exhibition is the recipient of the Sotheby’s Prize and is made possible in part by grants from the National Endowment for the Humanities and the National Endowment for the Arts. About the Academy Museum of Motion Pictures The Academy Museum will be the world’s premier institution dedicated to the art and science of movies. Located on Wilshire and Fairfax in Los Angeles, the Museum will be simultaneously immersive, experimental, educational, and entertaining. More than a museum, this dynamic film center will offer unparalleled experiences and insights into movies and moviemaking. Designed by Pritzker Prize–winning architect Renzo Piano, the Museum is restoring and revitalizing the historic Saban Building—formerly known as the May Company building (1939)—at the corner of Wilshire Boulevard and Fairfax Avenue. The Saban Building will feature six floors, including exhibition spaces, the 288-seat Ted Mann Theater, an education studio, special event spaces, conservation areas, a café, and store. The new spherical addition will connect to the Saban Building via glass bridges and will feature the state-of-the-art 1,000-seat David Geffen Theater and the rooftop Dolby Family Terrace with its sweeping views of the Hollywood Hills. The Academy is currently raising $388 million to support the building, exhibitions, and programs of the Academy Museum. The Campaign for the Academy Museum was launched in 2012, headed by chair Bob Iger and co-chairs Annette Bening and Tom Hanks. These industry leaders join other generous philanthropists who have named spaces, including Cheryl and Haim Saban (The Saban Building), The David Geffen Foundation (The David Geffen Theater), Dalian Wanda Group (The Wanda Gallery), Rolex (Rolex Gallery), The Walt Disney Company (The Walt Disney Company Piazza), Dolby Laboratories/Family of Ray Dolby (The Dolby Family Terrace), Marilyn and Jeffrey Katzenberg (The Marilyn and Jeffrey Katzenberg Gallery), Steven Spielberg (The Spielberg Family Gallery), Shirley Temple Black and Family (Shirley Temple Education Studio), Cecilia DeMille Presley (Founders Room), Gale Anne Hurd (Hurd Gallery), NBCUniversal, Netflix (Netflix Terrace), Participant Media, Gerry Schwartz and Heather Reisman (Gerry Schwartz and Heather Reisman Mezzanine), The Simms/Mann Family Foundation (Ted Mann Theater), Jeff Skoll, The Fran and Ray Stark Foundation, Warner Bros. Entertainment (The Warner Bros. Entertainment Gallery), Wasserman Foundation, and Wolfgang Puck Catering and Events LLC/Compass Group USA, Inc. The Academy Museum’s Digital Engagement Platform is sponsored by Bloomberg Philanthropies.
City Life Communications – L. A. Life and Style Entertainment Magazine